Tutto pronto per la nuova edizione, la 50esima, di Les Rencontres d’Arles 2019. Un traguardo davvero importante questo – per il festival creato dal fotografo Lucien Clergue, lo storico Jean-Maurice Rouquette e lo scrittore Michel Tournier – che porterà al festival 50 mostre, oltre a eventi, incontri e opportunità di condivisione sul mondo della fotografia.
Le mostre da vedere
Come dicevamo, sono 50 le mostre da vedere in questa edizione 2019. Iniziamo con la sezione ‘My Body is a Weapon‘ con le fotografie di Libuše Jarcovjáková, il progetto sulle relazioni umane di Pixy Liao, una collettiva sul corpo, con fotografie della Germania dell’Est, dal 1980 al 1989. E poi le foto di Evangelia Kranioti, una collettiva ‘La Movida’ sulla cultura contemporanea in Spagna.
Per la sezione ‘On the Edge‘, invece, incontriamo i lavori di Marina Gadonneix, Philippe Chancel e Mohamed Bourouissa. A questi si aggiungono due mostre: Germaine Krull, in cui la fotografa tedesca si ispira alla novella ‘Capitaine’ e ‘Walls of power‘ sulle barriere, in crescente aumento, in tutta Europa.
Per la sezione ‘Living‘ altri quattro progetti fotografici. Si tratta dei lavori di Daphné Bengoa & Leo Fabrizio e Mario del Curto e delle due collettive ‘Home sweet home‘ sull’attaccamento degli inglesi alle loro case e ‘The Zone‘ sulle periferie.
‘Rereading‘ è la sezione in cui trovare i lavori di Helen Levitt, Tom Woods, Eve Arnold, Abigail Heyman e Susan Meiselas. A questa si aggiunge la collettiva ‘Avant-garde‘ con alcune foto di Berenice Abbott, Florence Henri, Germaine Krull…
Per The Other Photography, da vedere la collezione di Bruno Decharme & compagnie, le cartoline di Postacards e The Saga of invention, con alcune fotografie vintage.
Building The Image è un altra sezione del festival da vedere. Qui i lavori -elaborati- di Valérie Belin, Yann Pocreau, Laurence Aëgerter, Claude Martin-Rainaud, Randa Mirza, Camille Fallet, Marjan Teeuwen. Oltre ai progetti On Earth sulle relazione uomo e tecnologia e The Anonymous Project, una collezione di diapositive a colori amatoriali degli ultimi 70 anni.
Platforms of the visibile presenta due progetti: Eldorado di Lutz, e il progetto Emeric Lhuisset, vincitore del BMW residency.
Da vedere, poi, la sezione dedicata ai fotografi emergenti e alle loro sperimentazioni fotografiche; la sezione dedicata al premio Louis Roederer e la sezione Buon compleanno Arles.
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- Meryl McMaster, Calling Me Home, 2019. Courtesy of the artist, Stephen Bulger Gallery and Pierre-François Ouellette art contemporain.
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- Meryl McMaster, From a Still Unquiet Place, 2019. Courtesy of the artist, Stephen Bulger Gallery and Pierre-François Ouellette art contemporain [all photographs].
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- Anonymous, 1972. Courtesy of The Anonymous Project.
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- Anonymous, 1953. Courtesy of The Anonymous Project.
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- Valérie Belin, Lady_Strips, 2017. Courtesy of Galerie Nathalie Obadia, Paris, Bruxelles.
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- Stacy Kranitz, Feds Creek, Kentucky, 2011. Courtesy of Tracey Morgan Gallery.
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- Stacy Kranitz, Gatlinburg, Tennessee, 2015. Courtesy of Tracey Morgan Gallery.
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- Shinji Nagabe, Iandé collective.
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- UMGI, The Four Tops, 1966.
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- Timothée Pugeault, Drachen (Dragon).
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- Philong Sovan, The White Jerricans, from the In the City by Night series, 2014.
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- Neak Sophal, Hang On, 2013.
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- Alys Tomlinson, Untitled, from the Vera series (2018). Courtesy of the artist and Hacklebury Fine Art, London.
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- Alys Tomlinson, Untitled 18, from the Ex-Voto series (2016-2018). Courtesy of the artist and Hacklebury Fine Art, London.
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- Jean-Louis Garnell, Cut-outs #12, 2002.
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- Jean-Louis Garnell, The End of the Table #12, 1998-2010.
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- Guillaume Simoneau, Untitled (after the fight 01), Takeo city, Saga prefecture, Japan, 2016. Courtesy of Mack, London and Stephen Bulger Gallery, Toronto.
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- Guillaume Simoneau, Jeanne d’Arc 02, Ste-Marguerite, Canada, 1982. Courtesy of Mack, London and Stephen Bulger Gallery, Toronto.
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- Aneta Grzeszykowska, Untitled Film Stills #47, 2006 (30 Years After, Art Collection Telekom exhibition). Courtesy of the artist and Art Collection Deutsche Telekom.
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- Šejla Kamerić, 30 years after, 2006 (30 Years After, Art Collection Telekom exhibition). Courtesy of the artist and Art Collection Deutsche Telekom.
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- National Scientific and Industrial Research and Inventions Office, Louis Lapicque’s visual field shutter goggles, December 1926. CNRS collection, B_6127. (The Saga of Invention exhibition)
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- National Scientific and Industrial Research and Inventions Office, Georges Mabboux’s acoustic horns to locate aircraft, May 31, 1935. CNRS collection, A_3264. (The Saga of Invention exhibition)
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- Daniel G. Andújar, Leaders, 2014. Photograph by Franz Reimer.
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- Daniel G. Andújar, Leaders, 2014. Photograph by Franz Reimer.
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- Harry Gruyaert, Belgium, Brussels. Place Flagey, 1981.
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- Harry Gruyaert, France, Baie de Somme. Fort Mahon, 1991.
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- abce, Triple A, 2013.
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- abce, Survival of the fittest, 2013
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- Courtesy of the Guy Bourdin Estate, 2019.
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- Courtesy of the Guy Bourdin Estate, 2019.
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- JJ Levine, Harry Pregnant, 2015
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- JJ Levine, Intimates, 2018.
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- Louis Quail, Birdwatching, Minsmere, Big Brother series. Courtesy of the artist.
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- Charles Lallemand, Ludovico Hart, Christian woman from Zouk Mikael (northern Lebanon) smoking a hookah and making coffee on a terrace, circa 1863-1865. Fouad Debbas Collection/ Sursock Museum.
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- Ludovic Carème, Deforestation, Seringal Curralinho, Acre, Brazil, 2016. Courtesy of the artist.
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- Ludovic Carème, Suelen in front of her house, Favela Agua Branca, São Paulo, 2009. Courtesy of the artist.
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- Kystyna Dul, Pube, Luxembourg, 2017.
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- Claudia Passeri, Aedicula, 2018
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- Helen Levitt, New York, 1980. Private collection. Film Documents LLC/Courtesy Thomas Zander Gallery, Cologne.
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- Helen Levitt, New York, 1940. The Albertina Museum, Vienna. Permanent loan of the Austrian Ludwig Foundation for Art and Science Film Documents LLC/Courtesy Thomas Zander Gallery, Cologne.
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- Philippe Chancel, Datazone #14, France, Marseille, Northern and Southern districts, 2017 et 2018. Courtesy of the artist and Melanie Rio Fluency.
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- Philippe Chancel, Datazone #06, South Africa, Marikana, 2012. Courtesy of the artist and Melanie Rio Fluency.
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- mario del curto Astana, Kazaksthan, 2015.
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- Artificial bridge and trees, Dubai, 2018.mario del curto
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- Bracelet électronique, 2014. Courtesy of the artist and kamel mennour, Paris/London and Blum & Poe, Los Angeles/New York/Tokyo. ADAGP (Paris) 2019.
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- Mohamed Bourouissa, L’impasse, from the Périphérique series, 2007. Courtesy of the artist and kamel mennour, Paris/London and Blum & Poe, Los Angeles/New York/Tokyo. ADAGP (Paris) 2019.
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- Martin Parr, Kleine Scheidegg, Switzerland, from the Small World series, 1994. Martin Parr / Magnum Photos.
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- Thu-Van Tran & Éric Baudart, Saïgon, 2017. Courtesy of the artists.
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- Cathedrale, 2013. Photograph by Maxime Boisvert. Courtesy of Galerie Simon Blais, Montreal. Press 03 : Cathedrale, 2013. Photograph by Maxime Boisvert. Courtesy of Galerie Simon Blais, Montreal.
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- Laurence Aëgerter, Cathédrales hermétiques, Coutances, (gothic church, 12th century).
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- Laurence Aëgerter, Cathédrales hermétiques, Coutances, (gothic church, 12th century).
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- Camille Fallet, License Color Photo Studio, Cherbourg 2018. Collection of the FRAC Provence-Alpes-Côte d’Azur.
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- Camille Fallet, View of the License Color Photo Studio installation during the Approximation Remontée (American Re-Photographs) exhibition, Straat Galerie, Marseille 2016. Collection of the FRAC Provence-Alpes-Côte d’Azur
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- MARJAN TEEWEN Destroyed House Leiden 1, 2016
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- MARJAN TEEWEN Destroyed House Mondriaanstraat 1, 2011.
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- Randa Mirza, Issaf and Naila, 2015. Courtesy of the artist and Tanit gallery
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- Randa Mirza, Venus and the Angels Harut and Marut, 2016. Courtesy of the artist and Tanit gallery
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- Anonymous, View of the Zone near Porte de Clignancourt, the City of Saint-Ouen in the Background, France, ca. 1940.
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- L. Chifflot, The Zone, Gentilly, France, ca. 1939.
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- Andy Sewell, Untitled, from the series Something like a Nest, 2014 (Home Sweet Home exhibition).
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- Ken Grant, Lisa and Tracy’s sister, Birkenhead, 1990 (Home Sweet Home exhibition).
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- Sergi Cámara, The Wall of Europe, Spain, 2014. Young Africans trying to climb the double fence that separates Africa from Europe, near Beni Enza on the border of Spanish exclave Melilla in March 2014. After spending several hours on top of the fence the Spanish security forces forced them back to Morocco. Courtesy of the artist.
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- Frankie Quinn, from the Peacelines I series, North Belfast, 1994. Courtesy of the artist.
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- Christian Lutz, Eldorado, from The Pearl River series, 2019. Courtesy of the artist and MAPS.
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- Christian Lutz, Eldorado, from the Insert Coins series, 2016. Courtesy of the artist and MAPS.
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- Tom Wood, Walking Through Shoes, 1991. Courtesy of the artist and Galerie Sit Down.
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- Tom Wood, Jelly Tot Pink, 1991. Courtesy of the artist and Galerie Sit Down
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- László Moholy-Nagy, Funkturm Berlin, 1928.
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- Aenne Biermann, Keyboard (Andante maestoso), 1928.
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- Susan Meiselas, Debbie and Renee, Rockland, Maine, USA, 1972. Courtesy of Susan Meiselas / Magnum Photos.
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- Eve Arnold, Actress Joan Crawford, Los Angeles, 1959. Courtesy of Eve Arnold / Magnum Photos.
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- Abigail Heyman, Supermarket, 1971.
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- Marina Gadonneix, Unitled (Waves) #1.Courtesy of Christophe Gaillard gallery
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- Marina Gadonneix, Untitled (Lightning). Courtesy of Christophe Gaillard gallery
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- A group photo in Lazaret, April 1941. Seated on the left: Jacques Rémy; center: Germaine Krull; on the right, seated in deck chair: Victor Serge. Photo likely taken by Vlady Serge.
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- Germaine Krull, The children cross the line, Neptune festival on the Capitaine-Paul-Lemerle, the assessor guides one of the children
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- Leo Fabrizio, Diar-es-Saâda, Algiers, Algeria, 2018
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- Daphné Bengoa, The Wait, Diar-el-Mahçoul, Algiers, Algeria, 2018
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- Gundula Schulze Eldowy, Berlin, 1987, from the Berlin on a dog’s night series. Courtesy of the artist
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- Gabriele Stötzer, Mirror reflexion, 1984. Courtesy of the artist.
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- Willy Ronis, Vincent, model aircraft flyer, Gordes (Vaucluse), 1952. Courtesy of the Ministry of Culture, MAP, RMN-Grand Palais. Willy Ronis donation
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- Willy Ronis, Nude Provençal, Gordes (Vaucluse), 1949. Avec l’aimable autorisation du ministère de la Culture, de la MAP, de la RMN-Grand Palais. Donation Willy Roni
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- © Raymond Depardon
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- Raymond Depardon reporting on destroyer escort the “Picard”, Toulon, 1962-1963. Photographer unknown / R. Depardon’s private archive
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- Libuše Jarcovjáková, Killing Summer, Prague, 1984. Courtesy of the artist
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- Libuše Jarcovjáková, Self-portrait, Prague, 1981. Courtesy of the artist
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- Alberto García-Alix, Eduardo y Lirio, 1980. Courtesy of the artist and VEGAP. (La Movida exhibition).
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- Ouka Leele, Peluquería, 1979. Courtesy of the artist. (La Movida exhibition)
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- Miguel Trillo, El Calderón, Concert by Rolling Stones. Madrid, 1982. Courtesy of the artist and VEGAP. (La Movida exhibition).
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- Máté Bartha, Kontakt XXVII, Hungary, 2018. Courtesy of the artist
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- Máté Bartha, Kontakt XXVII, Hungary, 2018. Courtesy of the artist
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- Emeric Lhuisset, Theater of War, Photograph with a group of Iranian Kurdish guerrillas. 2012. Courtesy of the artist / BMW Residency 2019
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- Emeric Lhuisset, Clip from the film of the When the Clouds Speak exhibition, Turkey, 2018-2019
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- Pixy Liao, It’s never been easy to carry you, from the Experimental Relationship series, 2013. Courtesy of the artist.
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- Pixy Liao, Start your day with a good breakfast together, from the Experimental Relationship series, 2009. Courtesy of the artist
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- Evangelia Kranioti, Eu sou obscura para mim mesma, from the Obscuro Barroco series
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- Evangelia Kranioti, Miss Without Papers, from the Beirut Fictions series.
Per scoprire tutte le mostre visita il loro sito qui
